StoryCog

Aspect ratios

Great post by Ming Thein on Aspect ratios and compositional theory:

Most people will stick to the aspect ratio that is native to the camera, and either do nothing else, or crop to fit later. This is compositionally very, very sloppy – not only do you not get the best frame for the shape of your subject, there’s a very good chance that you probably won’t be able to fill the frame properly, either; 3:2 is a bit of a compromise aspect ratio that lacks the organic intimacy of 5:4 or 4:3 for portraits, or the drama of 16:9 for more expansive scenes.

I’m no Thein, but right now I’m rather enjoying fiddling/cursing/tweaking/fuzting about with a cheap toy lens on my GF1:

BIG bubble time

Mariner 9

I seem to be cropping wider than 16x9 at the moment. Perhaps I’ll work out why if I shoot a whole lot more.

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StoryCog is a communication consultancy and film production company; see more about us here, or explore the links above left. The views expressed in this blog are those of the authors, though they're quite likely to represent the company's position too.

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