Structure
A client of mine sent a rough-cut through for comment last night. It’s great, so while I sent copious notes in timecode detail, that’s all fiddling around the margins. They’ve got the hard bits right already.
More useful, then, is lessons to draw from this film to guide the next one. What I wrote applies rather generally:
How does it open? Start on action, clear statement of intent, etc. Usually, the first page of a script can be thrown away — come to the action late, and all that.
Where’s the story? Not just what is it, but when is it? Knowing where the bulk of it comes allows you to introduce terminology and context early, which smooths the whole film.
Know how you finish. This applies for each shot as well as for the film overall. What’s the end-point?
As ever: grab attention, sustain it, reward it, and close gracefully.
For short factual films, just about everything else flows from that arc.